UW Photography

 

- The Sweet Taste of Success
- Shooting Splits
- The Sunny Side
- Shooting Sea Turtles
- The Compose/Expose Challenge
- No Limits
- Preparation, Patience and Persistence
- Negative Space, Positive Impact
- The Model Diver
- 'Fish In a Barrel'
- Ready for the Close-Up
- Magic In the Muck
- Stop. Think. Shoot.
- The Difference
Between Taking It
and Making It
- Using the Available-Light Option
- Planning for a Rosy Outcome
- Riding the Tide
- Applying the Fundamentals
- Topside Practice Translates Into
Underwater Success
- Good Diver = Good Photographer
- Success With
Silhouettes
- Jump Settings
- Taking Advantage of Topside Photo Opps
- A Common Lens Dilemma
- Be Persistent,
Be Patient
- Be Quick
But Don't Hurry
- The Beauty of Backing Up
- The Magic of Sunlight
- Lighting Up the Night
- Embracing Change
- Think Fast, Shoot Fast  
- Spreading the Light With Diffusers  
- behind the lens Zooming In
- behind the lens Mating Mandarins
- behind the lens Getting the Most Out of Natural Light
- behind the lens Seeing the Same Things Differently
- behind the lens The Combined Power of Knowledge,
Practice And Skill
- behind the lens Think Deep, Dive Shallow
- behind the lens The Lowdown on Macro
- behind the lens Adding a Personal Perspective
- behind the lens Getting a Shark to Say ‘Cheese’
- behind the lens Turning Down the Noise
- behind the lens Shifting Focus
- behind the lens Telephoto Triumph
- behind the lens The Forgotten Art of Backlighting
- behind the lens The ‘In Your Face’ Close-up Shot
- behind the lens Shooting Silver, Going for Gold
- behind the lens Small Subjects, Big Impact:
Going Super Macro
- behind the lens Slippery Subjects:
Properly Exposing See-through Creatures
- behind the lens PYGMY HUNTING
- Story behind the lens
The Money Shot Story and photo by Marty Snyderman
- behind the lens PHOTOGRAPHING NEMO
- behind the lens Preparing for Serendipity
- behind the lens PAIRING POINTERS
- behind the lens The Challenges of Low Light
- behind the lens A SHOT IN THE DARK: Tips for Photographic Success at Night
- The Art of In-Camera Cropping
- Going Vertical
- behind the lens Camera Savvy, Marine Life Knowledge and Scuba Skills Combined
- “Here Fishy, Fishy” Capturing Marine Animals on Film
-  GET CLOSE, GET LOW, SHOOT UP
- Zoom With Your Fins, Not Your Lens
- How to Paint With Light: Using Underwater Strobes
- Night and Day Difference
- Edge Lighting
- What Is a Macro? Macro Photography Explained
- Zoom With Your Fins, Not Your Lens
- behind the lens BALANCED OR UNBALANCED? YOU MAKE THE CALL
- Muck diving
- The Magic Hour
- Kelp Up Close
- Night and Day Difference
- behind the lens THE POWER
OF KNOWLEDGE
- behind the lens BLACK AND WHITE - AT NIGHT
- behind the lens NUDIE PICTURES: Mating Nudibranchs Offer Artistic Challenges
- The Underwater Composer: How to Create Compelling Underwater Photos
- Going Vertical
- behind the lens UNDERSTANDING 'FREEZE' PHOTOGRAPHY
- Doing the Work of the Sun: Using a Strobe to Enhance Your Underwater Photos
- The Power of Contrast: Silhouettes
- behind the lens SEEING - AND SHOOTING - OUTSIDE THE BOX
- behind the lens WORKING WITH MODELS:
- behind the lens HOPE IS NOT A STRATEGY, BUT APPLYING THE FUNDAMENTALS IS
- behind the lens YOU NEED TO BE A GOOD DIVER FIRST
- behind the lens WITH TURTLES,
SLOW AND STEADY WINS THE RACE
- behind the lens PUTTING IT ALL TOGETHER
- Available-Light Photography: Using the Sun to Light Your Underwater Shots
- The Art of In-Camera Cropping
- behind the lens The Artistic Use of Dappled Light
- Whale of a Shot
- To Capture Behavior, Have A Plan
- Negative Space: Positive Impression
- behind the lens PERSEVERANCE HAS ITS REWARDS