UW Photography

- 'Fish In a Barrel'

- Ready for the Close-Up

- Magic In the Muck

- Stop. Think. Shoot.

- The Difference
Between Taking It
and Making It

- Using the Available-Light Option

- Planning for a Rosy Outcome

- Riding the Tide

- Applying the Fundamentals

- Topside Practice Translates Into
Underwater Success

- Good Diver = Good Photographer

- Success With
Silhouettes

- Jump Settings

- Taking Advantage of Topside Photo Opps

- A Common Lens Dilemma

- Be Persistent,
Be Patient

- Be Quick
But Don't Hurry

- The Beauty of Backing Up

- The Magic of Sunlight

- Lighting Up the Night

- Embracing Change

- Think Fast, Shoot Fast  

- Spreading the Light With Diffusers  

- behind the lens Zooming In

- behind the lens Mating Mandarins

- behind the lens Getting the Most Out of Natural Light

- behind the lens Seeing the Same Things Differently

- behind the lens The Combined Power of Knowledge,
Practice And Skill

- behind the lens Think Deep, Dive Shallow

- behind the lens The Lowdown on Macro

- behind the lens Adding a Personal Perspective

- behind the lens Getting a Shark to Say ‘Cheese’

- behind the lens Turning Down the Noise

- behind the lens Shifting Focus

- behind the lens Telephoto Triumph

- behind the lens The Forgotten Art of Backlighting

- behind the lens The ‘In Your Face’ Close-up Shot

- behind the lens Shooting Silver, Going for Gold

- behind the lens Small Subjects, Big Impact:
Going Super Macro

- behind the lens Slippery Subjects:
Properly Exposing See-through Creatures

- behind the lens PYGMY HUNTING

- Story behind the lens
The Money Shot Story and photo by Marty Snyderman

- behind the lens PHOTOGRAPHING NEMO

- behind the lens Preparing for Serendipity

- behind the lens PAIRING POINTERS

- behind the lens The Challenges of Low Light

- behind the lens A SHOT IN THE DARK: Tips for Photographic Success at Night

- The Art of In-Camera Cropping

- Going Vertical

- behind the lens Camera Savvy, Marine Life Knowledge and Scuba Skills Combined

- “Here Fishy, Fishy” Capturing Marine Animals on Film

-  GET CLOSE, GET LOW, SHOOT UP

- Zoom With Your Fins, Not Your Lens

- How to Paint With Light: Using Underwater Strobes

- Night and Day Difference

- Edge Lighting

- What Is a Macro? Macro Photography Explained

- Zoom With Your Fins, Not Your Lens

- behind the lens BALANCED OR UNBALANCED? YOU MAKE THE CALL

- Muck diving

- The Magic Hour

- Kelp Up Close

- Night and Day Difference

- behind the lens THE POWER
OF KNOWLEDGE

- behind the lens BLACK AND WHITE - AT NIGHT

- behind the lens NUDIE PICTURES: Mating Nudibranchs Offer Artistic Challenges

- The Underwater Composer: How to Create Compelling Underwater Photos

- Going Vertical

- behind the lens UNDERSTANDING 'FREEZE' PHOTOGRAPHY

- Doing the Work of the Sun: Using a Strobe to Enhance Your Underwater Photos

- The Power of Contrast: Silhouettes

- behind the lens SEEING - AND SHOOTING - OUTSIDE THE BOX

- behind the lens WORKING WITH MODELS:

- behind the lens HOPE IS NOT A STRATEGY, BUT APPLYING THE FUNDAMENTALS IS

- behind the lens YOU NEED TO BE A GOOD DIVER FIRST

- behind the lens WITH TURTLES,
SLOW AND STEADY WINS THE RACE

- behind the lens PUTTING IT ALL TOGETHER

- Available-Light Photography: Using the Sun to Light Your Underwater Shots

- The Art of In-Camera Cropping

- behind the lens The Artistic Use of Dappled Light

- Whale of a Shot

- To Capture Behavior, Have A Plan

- Negative Space: Positive Impression

- behind the lens PERSEVERANCE HAS ITS REWARDS